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Pro Tools M-Powered 8 - M-Audio Compatible World Class Production Software

Full Features

General
supports a wide choice of M-Audio interfaces* including Delta PCI, USB/USB 2.0 and FireWire products
supports M-Audio ProjectMix I/O and Digidesign Command|8 control surfaces for hands-on mixing
industry-standard session compatibility with countless Pro Tools-equipped project and professional studios around the world
award-winning Pro Tools recording and mixing environment
48-track mono or stereo audio recording**, editing, and mixing up to 24-bit/96kHz
real-time audio processing
import MIDI, REX, ACID, WAV, SDII, AIFF, AAC and MP3 audio files
Digidesign-qualified Windows Vista- (32-bit Business or Ultimate), Windows XP-, or Mac OS X 10.5.5-based computers (click here for the most current system requirements, compatibility information and online support)
unique Beat Detective LE automatic groove analysis and correction tool
supports QuickTime video including H.264
expandable via Music Production Toolkit 2
co-exists with the same version of Pro Tools LE on the same system
Recording
powerful loop recording options
Elastic Pitch allows manipulation (+/- 4 octaves) or pitch correction of any audio region in real time without affecting time or tempo
Elastic Time real-time tempo manipulation feature lets you change the tempo or timing of audio tracks on the fly without affecting pitch
loop playback automatically updates to the selection without manually stopping and starting the transport
Loop Trim tool allows you to easily turn audio or MIDI regions into loops
Dynamic Transport mode allows playback to operate independently of the current selection
real-time MIDI processing enables control of MIDI quantization, note duration and velocity, transposition, and timing as you record
QuickPunch functionality
Advanced MIDI
256 tracks of powerful, intuitive MIDI sequencing
MIDI Editor windows can display MIDI and automation data for Instrument, MIDI and Auxiliary Input tracks
Instrument Tracks combine MIDI and audio capabilities in a single channel strip, simplifying routing for virtual instruments and MIDI sound modules
sample-based MIDI tracks lock MIDI events to time code regardless of session tempo changes
Zoom Toggle switches quickly between two different user-defined settings in the Edit window
Mirrored MIDI editing mode allows adjustments made to one MIDI file to affect all existing copies of that region
additional MIDI features including:
  • enhanced Select/Split Notes window enables splitting a MIDI performance into multiple tracks by MIDI note, velocity, duration, or position
  • Remove Duplicate Notes command allows users to quickly clean up recorded or merged MIDI tracks
  • Change Duration window offers legato, overlap correction and transform sustain pedal features
  • Transpose window transposes all selected notes in octaves and semitones
  • separate, consolidate and mute MIDI notes
  • scrub and shuttle through parts
  • view superimposed MIDI and Instrument tracks for easier arrangement editing
  • color code MIDI notes by track, type, or velocity
  • audition velocity changes
  • play MIDI notes when tabbing
  • edit MIDI automation and continuous controller (CC) data through multiple Automation and Controller lanes
  • real-time scrolling during playback
Editing
completely non-destructive editing with world-class tools
add new tracks; reorder tracks; create, move or copy inserts and sends; and adjust I/O routing on the fly without manually stopping and starting the transport
track compositing features allow for quickly and easily piecing together the best possible version of a performance from multiple recording passes
lock regions to the timeline to prevent them from being inadvertently moved or edited
use the Automation and Controller lanes to view and edit track automation and MIDI CC data without changing track views
Time Shift DigiRack plug-in delivers superior time compression/expansion
Region Groups allow grouping of any combination of audio and MIDI regions, across any number of tracks
Region Looping offers an easy way to repeat one or more regions and Region Groups
Separate on Grid and Separate at Transient functions allow editing of multitrack audio regions simultaneously, based on a grid value or transients in an audio file
quantize audio regions according to a grid or groove template
"reverse" Strip Silence functionality allows for extracting louder portions of audio tracks
Mixing
host processing efficiency allows you to run many select RTAS effects and instrument plug-ins simultaneously
up to 32 internal mix busses and up to 10 sends and inserts per track increases mixing flexibility and allows larger, more complex mixing architectures
copy or move send assignments across tracks via drag-and-drop functionality
free Dynamics III DigiRack plug-in allows easy and powerful control of mix dynamics
EQ III includes a new filter band-pass solo mode, making it easy to isolate and remove unwanted signals or noise in an audio track
advanced automation features and editing including real-time display
Automate All command allows arming automation of all plug-in parameters at once
Effects and Virtual Instruments
wide range of compatible creative software options available from Digidesign and Digidesign Development Partners including:
  • both real-time RTAS effects plug-in processing and file-based AudioSuite effects plug-in processing
  • advanced virtual instrument integration including 6 free A.I.R. virtual instruments:
    • Boom drum machine and sequencer
    • DB-33 tonewheel organ emulator with rotating speaker simulation
    • Mini Grand acoustic grand piano
    • Vacuum monophonic vacuum tube synthesizer
    • Xpand!2 multitimbral synth and sample workstation with over 1000 presets
    • Structure Free sample player with over 600MB of high-quality samples
  • FXpansion BFD Lite acoustic drum module
ships with 70 free DigiRack, A.I.R. and Bomb Factory plug-ins, including EQ, dynamics, delays, reverb and more (see complete list)
free Dynamics III DigiRack plug-in allows easy and powerful control of mix dynamics
new EQ III includes a filter band-pass solo mode to easily isolate and remove unwanted signals or noise in an audio track
incredible guitar amp tone with Eleven Free and SansAmp plug-ins
Torq LE DJ software
8GB of pro-quality loops
map plug-in parameter controls to almost any encoder on a controller, and access each track’s 10 inserts
easily communicates via ReWire with applications like Torq for further creative possibilities
Score Editor
based on the Sibelius notation engine
view, edit, arrange and print MIDI data as music notation
compose music using the notation tools, or transcribe recorded, imported, drawn (with the Pencil tool), or step-entered MIDI data into notation
write parts on a single staff—treble, bass, alto, or tenor clef—or grand staff
place and edit notes, and edit the meter and key signature at whim
add chord symbols such as Dm7 and guitar chord diagrams to sessions
transcribe MIDI parts in real time
print out a score in its entirety or print only certain instrumental parts
export sessions as Sibelius (.sib) files for further finessing in Sibelius
Efficiency and Ease of Use
all-new redesigned user interface for elegant operation and reduced eye strain
customizable toolbar shows only desired tools in any arrangement
tiled or cascaded window arrangement
logical, streamlined menu navigation
change the color of channel strips, tracks, regions, groups and markers to any hue
navigate through sessions quickly using the Universe view
QuickStart dialog allows for quickly, easily creating new sessions from templates, from scratch or open existing sessions
right-click contextual menus offer fast access to common parameters
Tool Tips provide "rollover" descriptions of interface objects
easy dragging and dropping of audio, MIDI, REX, and ACID files from the desktop to the timeline
drag multiple regions onto a single track simultaneously
quickly apply track-level commands globally across multiple tracks simultaneously
up to 99 Window Configurations (screen sets) to instantly recall custom view arrangements
customizable Zoom Toggle lets you define track view and height when zooming
continuously variable track height allows tracks to be instantly resized to any height
fast Region List searches including history
Duplicate Tracks dialog streamlines defining how many tracks, and which track parameters, to duplicate
built-in DigiBase file management tool organizes and auditions audio and MIDI files and loops according to attributes such as tempo; includes importing of Red Book audio CDs
up to 999 Markers/Memory Locations
accepts MIDI directly from ReWire applications for recording controller data to a Pro Tools MIDI or Instrument track
Unicode character support lets you label and edit text anywhere in Pro Tools in any language supported by Unicode (including Japanese, French, Greek, Russian and Hebrew)
* Pro Tools M-Powered software requires a supported M-Audio hardware peripheral to function.

**Up to 64 simultaneous stereo or mono audio tracks with the Music Production Toolkit 2 option. Owners of the original Music Production Toolkit software option who upgrade to Pro Tools M-Powered 8 will automatically get support for up to 64 stereo audio tracks.

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Awards
Reviews
“I’m sold! I can’t imagine anyone who owns a supported M-Audio interface not wanting to acquire the Pro-Tools M-Powered software. For the price, I know of no comparable DAW system that combines such high sound quality with recording and editing software of such sophisticated elegance. The combination of M-Audio hardware with Pro-Tools M-Powered software can take on anything from singer-songwriter demos, to multitrack live band recordings, to Dr. Fred’s kinky high sample rate digital transfers, and produce reliable, great-sounding results with an absolute minimum of frustration and head-scratching. And, for me, making life easy and inspiring the user is what truly superior hardware and software is supposed to do!”
- Pro Audio Review – October 2005
There’s no question that Pro Tools M-Powered lives up to Digidesign’s reputation. I’ve always said that choosing a DAW is a matter of preference and comfort. Now, with Pro Tools M-Powered on the scene, excluding Pro Tools because of budget concerns is a thing of the past.
- Remix Magazine, September 2005
"At the end of the day, Pro Tools is the program by which other DAWs are measured, and the new and enhanced features in this latest update are right on the mark."
- Keyboard
“...cool enough for our (MusikMesse) Studio/Pro Audio category winner, we say Pro Tools M-Powered. Bringing Pro Tools high end studio quality to the masses.”
- Gearjunkies.com