Octane - 8-channel Preamp and A/D Converter with ADAT Lightpipe
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Specifications


microphone inputs (analog)
variable gain:50dB
frequency response:20-20kHz, +/- 0.11dB; mid gain
signal-to-noise ratio:120dB, A-weighted; mid gain
dynamic range:120dB, A-weighted; mid gain
THD+N:0.00041% -107dB, 1dB below clipping, 22Hz-22kHz; mid gain
EIN noise rating:-129dBu @ max gain, 600 ohms, 22Hz-22 kHz (unweighted)
input impedance:2.85k ohms, no pad; 3.600k ohms, pad engaged

instrument inputs (analog)
input impedance:3M ohms
variable gain:44dB
frequency response:20Hz-20kHz, +/- 0.03dB; min gain
signal-to-noise ratio:133dB, A-weighted; min gain
dynamic range:133dB, A-weighted; min gain
THD+N:0.0018% -95dB, 1 dB below clipping, 22Hz-22kHz; min gain
system throughput gain:6dB to 50dB (balanced out); 0dB to 44dB (unbalanced out)

line inputs (analog to digital)
line input impedance:20K Ohms (balanced), 13.3k ohms (unbalanced)
frequency response:20Hz-20kHz, +/- 0.04dB
signal-to-noise ratio:110dB, A-weighted
dynamic range:110dB, A-weighted
THD+N:0.00067% -103dB, -1dBFS, 22Hz-22kHz

additional features
maximum rated analog output (digital clip):+26dBu (balanced), +20dBu (unbalanced)
output impedance:600 ohms (balanced)
M/S matrix:L=M+S/3 and R=M–S/3
digital clip level at line inputs:+20dBu
channel quasi-peak level indicatorslight 3dB, 10dB and 20dB below digital clip
word clock range (switchable):44.1kHz, 48kHz and external
word clock slave sync range:33kHz to 59kHz
word clock impedence:75 ohms
power:18 VAC (16.5 VAC minimum) @ 3.5A inline power adapter
size:17" x 5" x 3.5" 7.1 lbs

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Awards
Connectivity
Reviews
“With such a wealth of features and excellent sound, it should be no surprise that the Octane took the award for best preamp this year.”
- Electronic Musician - January 2005
“The Octane’s preamps are impressively quiet, even when cranked right up, and as such allow you to really make use of the full amount of available gain; particularly useful when capturing very quiet sound sources.”
- FutureMusic/September 2004
“Octane is a solid product with a good collection of features and a good value. Anyone with a vacant ADAT digital input would do well to try it out.”
- MIX/September 2004
“M-Audio’s product designers seem to have an uncanny knack for recognizing what musicians and project studio owners want, and giving it to us at a price that’s hard to beat. Octane is a perfect example. If your studio is lightpipe-equipped, Octane will be one of those Swiss Army knife-like tools for which you’ll find numerous uses.”
- EQ/July 2004
"I recently signed a deal with Triloka Records. There isn't a single track on my new record that wasn't run through my pair of TAMPAs or through my new Octane. I knew M-Audio was onto something when analog guys started telling me how warm and rich my stuff sounded."
Michael Ramos